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Book Details

  • Paperback
  • Bookstore's Wholesale Price: $44.00
  • April 2014
  • ISBN: 978-0-393-92161-8
  • 912 pages
  • Volume(s): 1 / Ancient to Baroque
  • Territory Rights: Worldwide


The Norton Anthology of Western Music

Seventh Edition

Paperback

Volume(s): 1

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$55.00

J. Peter Burkholder (Author, Indiana University), Claude V. Palisca (Author, late of Yale University)

Overview | For Students
 

A comprehensive collection of 220 works from antiquity to the present.

The anthologies feature outstanding teaching pieces that reveal the sweep of history through changing genres, styles, conventions, forms, techniques, and materials. The Seventh Edition includes new twentieth- and twenty-first-century works by Adams, Bernstein, Carter, Golijov, Higdon, Revueltas, Saariaho, Strauss, and Villa-Lobos.

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    # indicates new or expanded score
    ** indicates concise selection

    Volume 1: Ancient to Baroque

    1** Epitaph of Seikilos
    2 Euripides: Orestes: Stasimon chorus
    3 Mass for Christmas Day
        (a)** Introit: Puer natus est nobis
        (b)** Kyrie
        (c)** Gloria
        (d)** Gradual: Viderunt omnes
        (e) Alleluia: Dies sanctificatus
        (f) Credo
        (g) Offertory: Tui sunt caeli
        (h) Sanctus
        (i) Agnus Dei
        (j) Communion: Viderunt omnes
        (k) Ite, missa est
    4 Chants from Vespers for Christmas Day
        (a)** First Antiphon: Tecum principium, with psalm Dixit Dominus
        (b) Hymn: Christe Redemptor omnium
    5** Ascribed to Wipo of Burgundy: Victimae paschali laudes
    6 Tropes of Puer natus: Quem queritis in presepe and melisma
    7** Hildegard of Bingen: Ordo virtutum: In principio omnes
    8** Bernart de Ventadorn: Can vei la lauzeta mover
    9 Comtessa de Dia: A chantar
    10 Adam de la Halle: Jeu de Robin et de Marion: Rondeau, Robins m’aime
    11 Walther von der Vogelweide: Palästinalied (Nū alrēst lebe ich mir werde)
    12** Cantiga 159: Non sofre Santa María, from Cantigas de Santa Maria
    13 La quarte estampie royal, from Le manuscript du roi
    14 Organa from Musica enchiriadis
        (a) Tu patris sempiternus es filius
        (b) Sit Gloria domini
        (c) Rex caeli domine
    15** Alleluia Justus ut palma, from Ad organum faciendum
    16 Jubilemus, exultemus
    17** Leoninus and colleagues: Viderunt omnes
    18 Clausulae on Dominus from Viderunt omnes
        (a) Dominus, clausula No. 26
        (b) Dominus, clausula No. 29
    19 Perotinus: Viderunt omnes
    20 Ave virgo virginum
    21 Motets on Tenor Dominus
        (a) Factum est salutare/Dominus
        (b)** Fole acostumance/Dominus
        (c) Super te/Sed fulsit/Dominus
        (d) Super te/Sed fulsit/Primus tenor/Dominus
    22 Adam de la Halle: De ma dame vient/Dieus, comment porroie/Omnes
    23* Petrus de Cruce: Aucun ont trouvé/Lonc tans/Annuntiantes
    24** Sumer is icumen in
    25#**Philippe de Vitry: Cum statua/Hugo, Hugo/Magister invidie
    26# Guillaume de Machaut: La Messe de Nostre Dame
        (a)** Kyrie
        (b)# Gloria
    27#** Guillaume de Machaut: Douce dame jolie
    28** Guillaume de Machaut: Rose, liz, printemps, verdure
    29 Philippus de Caserta: En remirant vo douce pourtraiture
    30 Jacopo da Bologna: Non al suo amante
    31# Francesco Landini: Cosi pensoso
    32** Francesco Landini: Non avrà ma’ pietà
    33 Alleluia, A newë work
    34** John Dunstable: Quam pulchra es
    35** Binchois (Gilles de Bins): De plus en plus
    36 Guillaume du Fay: Resvellies vous
    37 Guillaume du Fay: Christe, redemptor omnium
    38** Guillaume du Fay: Se la face ay pale
        (a) Se la face ay pale
        (b) Missa Se la face ay pale: Gloria
    39 Antoine Busnoys: Je ne puis vivre
    40 Jean de Ockeghem: Missa prolationum: Kyrie
    41 Henricus Isaac: Innsbruck, ich muss dich lassen
    42# Josquin des Prez: Faulte d’argent
    43 Josquin des Prez (?): Mille regretz
    44** Josquin des Prez: Ave Maria . . . virgo serena
    45 Josquin des Prez: Missa Pange lingua
        (a)** Kyrie
        (b) Credo, excerpt: Et incarnates est and Crucifixus
    46 Martin Luther: Nun komm, der Heiden Heiland and Ein feste Burg
        (a) Attributed to St. Ambrose: Veni redemptor gentium, hymn
        (b) Martin Luther: Nun komm, der Heiden Heiland
        (c) Martin Luther: Ein feste Burg
        (d) Johann Walter: Ein feste Burg, setting for four voices
    47 Loys Bourgeois: Psalm 134, Or sus, serviteurs du Seigneur
        (a) Psalm 134, Or sus, serviteurs du Seigneur
        (b) William Kethe: Psalm 100, All people that on earth do dwell
    48# Thomas Tallis: If ye love me
    49** William Byrd: Sing joyfully unto God
    50# Nicolas Gombert: Ave regina caelorum
    51 Giovanni Pierluigi da Palestrina: Pope Marcellus Mass
        (a) Credo
        (b)** Agnus Dei I
    52** Tomás Luis de Victoria: O magnum mysterium
        (a) O magnum mysterium
        (b) Missa O magnum mysterium: Kyrie
    53** Orlande de Lassus: Cum essem parvulus
    54 Juan del Encina: Oy comamos y bebamos
    55# Marchetto Cara: Mal un muta per effecto
    56** Jacques Arcadelt: Il bianco e dolce cigno
    57** Cipriano de Rore: Da le belle contrade d’oriente
    58 Luca Marenzio: Solo e pensoso
    59** Carlo Gesualdo: “Io parto” e non più dissi
    60** Claudin de Sermisy: Tant que vivray
    61 Orlande de Lassus: La nuict froide et sombre
    62 Claude Le Jeune: Revecy venire du printans
    63** Thomas Morley: My bonny lass she smileth
    64** Thomas Weelkes: As Vesta was
    65** John Dowland: Flow, my tears
    66** Tielman Susato: Dances from Danserye
        (a) No. 5: Basse danse La morisque
        (b) No. 38: Pavane La dona
        (c) No. 50: Galliard La dona
    67# Anthony Holbourne: Dances
        (a)# The Night Watch, almaine
        (b)# The Faerie-round, galliard
    68** Luis de Narváez: From Los seys libros del Delphín, intabulation and variations for vilhuela
        (a) Cancion Mille regres
        (b) Cuatro diferencias sobre “Guárdame las vacas”
    69#** William Byrd: John come kiss me now
    70 Giovanni Gabrieli: Canzon septimi toni a 8, from Sacrae symphoniae
    71** Claudio Monteverdi: Cruda Amarilli
    72** Giulio Caccini: Vedrò ’l mio sol
    73 Jacopo Peri: Le musiche sopra l’Euridice, opera
        (a) Aria: Nel pur ardor
        (b) Dialogue in recitative: Per quel vago boschetto
    74 Claudio Monteverdi: L’Orfeo: Excerpt from Act II
        (a)** Aria/canzonetta: Vi ricorda o boschi ombrosi
        (b) Song: Mira, deh mira Orfeo
        (c)** Dialogue in recitative: Ahi, caso acerbo
        (d)** Recitative: Tu se’ morta
        (e)** Choral madrigal: Ahi, caso acerbo
    75** Claudio Monterverdi: L’incoronazione di Poppea: Act I, Scene 3
    76 Antonio Cesti: Orontea: Excerpts from Act II
        (a) Scene 16: Recitative, E che si fa?
        (b) Scene 17: Opening aria, Intorno all’ idol mio
    77** Barbara Strozzi: Lagrime mie
    78** Giovanni Gabrielli: In ecclesiis
    79 Alessandro Grandi: O quam tu pulchra es
    80** Giacomo Carissimi: Historia di Jephte
        (a) Recitative: Plorate colles
        (b) Chorus: Plorate filii Israel
    81** Heinrich Schütz: Saul, was verfolgst du mich, SWV 415, from Symphoniae sacrae III
    82** Girolamo Frescobaldi: Toccata No. 3
    83 Girolamo Frescobaldi: Ricercare after the Credo, from Mass for the Madonna, in Fiori musicali
    84 Biagio Marini: Sonata IV per il violino per sonar con due corde
    85# Jean-Baptiste Lully: Armide
        (a)** Ouverture
        (b)#  Conclusion of divertissement from Act II, Scene 4: Laissons au tender amour
        (c)** Act II, Scene 5: Enfin il est en ma puissance
    86 Jean-Baptiste Lully: Te Deum: Conclusion
    87 Denis Gaultier: La Coquette virtuose
    88 Elisabeth-Claude Jacquet de la Guerre: Suite in A Minor, from Pièces de clavecin
        (a)** Prelude
        (b)** Allemande
        (c)** Courante I and II
        (d) Sarabande
        (e) Gigue
        (f) Chaconne
        (g) Gavotte
        (h) Menuet
    89 Henry Purcell: Dido and Aeneas: Conclusion
        (a)** Recitative: Thy hand, Belinda
        (b)** Lament (ground bass aria): When I am laid in earth
        (c) Chorus: With drooping wings
    90 Tomás de Torrejón y Velasco: La púrpura de la rosa: Excerpt
    91 Juan de Araujo: Los conflades de la estleya
    92 Alessandro Scarlatti: Clori vezzosa, e bella, cantata: Conclusion
        (a) Recitative: Vivo penando
        (b) Aria: Sì, sì ben mio
    93 Alessandro Scarlatti: La Griselda, opera: Excerpt from Act I, Scene 2
    94** Arcangelo Corelli: Trio Sonata, Op. 3, No. 2
        (a) Grave
        (b) Allegro
        (c) Adagio
        (d) Allegro
    95** Dieterich Buxtehude: Praeludium in E Major, BuxWV 141
    96 Antonio Vivaldi: Concerto for Violin and Orchestra in A Minor, Op. 3, No. 6, from L’estro armonico
        (a)** Allegro
        (b) Largo
        (c) Presto
    97 François Couperin: Vingt-cinquième ordre: Excerpts
        (a)** La visionaire
        (b)** La muse victorieuse
        (c)# Les ombres errantes
    98** Jean-Philippe Rameau: Hippolyte et Aricie: Conclusion of Act IV
    99#  Georg Philipp Telemann: Concerto Primo, from Paris Quartets
        (a)# Presto
        (b) #Largo
        (c) #Allegro
    100 Johann Sebastian Bach: Prelude and Fugue in A Minor, BWV 543
    101 Johann Sebastian Bach: Chorale Prelude on Durch Adams Fall, BWV 637
    102#** Johann Sebastian Bach: The Well-Tempered Clavier, Book I: Excerpts
        (a)# Prelude No. 8 in E-flat Minor
        (b) #Fugue No. 8 in D-sharp Minor
    103 Johann Sebastian Bach: Nun komm, der Heiden Heiland, BWV 62
        (a)** No. 1, Chorus: Nun komm, der Heiden Heiland
        (b) No. 2, Aria (tenor): Bewundert, o Menschen
        (c) No. 3, Recitative (bass): So geht aus Gottes Herrlichkeit und Thron
        (d) No. 4, Aria (bass): Streite, siege, starker Held!
        (e) No. 5, Accompanied recitative (soprano and alto): Wir ehren diese Herrlichkeit
    104#    Johann Sebastian Bach: St. Matthew Passion, BWV 244
        (a)#  No. 36a, Recitative: Und der Hohepriester antwortete
        (b)#  No. 36b, Chorus: Er ist des Todes schuldig
        (c)#  No. 36c, Recitative: Da speieten sie aus in sein Angesicht, und schlugen ihn mit Fäusten
        (d)#  No. 36d, Chorus: Weissage uns, Christe, wer ist’s, der dich schlug?
        (e)#  No. 37, Chorale: Wer hat dich so geschlagen
        (f)#   No. 38a, Recitative: Petrus aber sass draussen im Palast; und es trat zu ihm eine Magd
        (g)#  No. 38b, Chorus: Wahrlich, du bist auch einer von denen; denn deine Sprache verrät dich
        (h)#  No. 38c, Recitative: Da hub er an sich zu verfluchen und zu schwören
        (i)#   No. 39, Aria: Erbarme dich, mein Gott, um meiner Zärren willen
        (j)#   No. 40, Chorale: Bin ich gleich von dir gewichen
    105 George Frideric Handel: Giulio Cesare: Act II, Scenes 1–2
        (a) Eseguisti
        (b)** V’adoro, pupille
    106** George Frideric Handel: Saul: Act II, Scene 10
        (a) No. 66, Accompanied recitative: The Time at length is come
        (b) No. 67, Recitative: Where is the Son of Jesse?
        (c) No. 68, Chorus: O fatal Consequence of Rage