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Daido Moriyama: Record

Mark Holborn (Editor)

Logo markA Thames & Hudson book

 

An exceptional selection of photographs by Japan’s leading photographer from Record, the artist’s self-curated journal, published in the early 1970s and from 1996 to the present day

Inspired by Japanese photographers, as well as by William Klein’s seminal photography book on New York, Daido Moriyama moved from Osaka to Tokyo in the early sixties to become a photographer. He became the leading exponent of a fierce new photographic style that corresponded perfectly to the abrasive and intense climate of Tokyo during a period of great social upheaval. Between June 1972 and July 1973 Moriyama produced his own magazine publication, Kiroku, which was then referred to as Record. It became a diaristic journal of his work as it developed. Ten years ago, after a decades-long interval, he was able to resume publication of Record. Now this book collects work from all thirty published issues, edited into a single sequence, punctuated by Moriyama’s own text as it appeared in the magazine. Produced at the magazine’s original size, with an introduction by Mark Holborn, this volume features more than 200 works from throughout the magazine’s history.

It used to be assumed that Moriyama’s peculiarly Japanese style was tied to his Tokyo roots. The evidence of the last ten years demonstrates that Moriyama, a restless world traveler, has been able to apply his unique vision to northern Europe; southern France; the cities of Florence, London, Barcelona, Taipei, Hong Kong, New York, and Los Angeles as well as the alleys of Osaka; the landscape of Hokkaido; and Afghanistan.

Book Details

  • Hardcover
  • October 2017
  • ISBN 978-0-500-54466-2
  • 8.6 × 11.3 in / 424 pages
  • Sales Territory: USA and Dependencies, Philippines and Canada.

Endorsements & Reviews

“One of “The Best Art Books of 2017”” — The New York Times

“This striking book collates the early black-and-white images, shot with his trademark graininess, with new street photography from New York, Morocco and a Tokyo transformed.” — The New York Times