Dolce Vita Confidential

Fellini, Loren, Pucci, Paparazzi, and the Swinging High Life of 1950s Rome

Shawn Levy (Author)

Overview | Formats
 

A romp through the worlds of film, fashion, and titillating journalism that made 1950s Rome the sexiest city on the planet.

From the ashes of World War II, Rome was reborn as the epicenter of film, fashion, creative energy, tabloid media, and bold-faced libertinism that made “Italian” a global synonym for taste, style, and flair. A confluence of cultural contributions created a bright, burning moment in history: it was the heyday of fashion icons such as Pucci, whose use of color, line, and superb craftsmanship set the standard for women’s clothing for decades, and Brioni, whose confident and classy creations for men inspired the contemporary American suit. Rome’s huge movie studio, Cinecitta, also known as “Hollywood-on-the Tiber,” attracted a dizzying array of stars from Charleton Heston, Gregory Peck, Audrey Hepburn, Ava Gardner, and Frank Sinatra to that stunning and combustible couple, Elizabeth Taylor and Richard Burton, who began their extramarital affair during the making of Cleopatra. And behind these stars trailed street photographers—Tazio Secchiarioli, Pierluigi Praturlon, and Marcello Gepetti—who searched, waited, and pounced on their subjects in pursuit of the most unflattering and dramatic portraits of fame.

Fashionistas, exiles, moguls, and martyrs flocked to Rome hoping for a chance to experience and indulge in the glow of old money, new stars, fast cars, wanton libidos, and brazen news photographers. The scene was captured nowhere better than in Federico Fellini’s masterpiece, La Dolce Vita, starring Marcello Mastroianni and the Swedish bombshell Anita Ekberg. It was condemned for its licentiousness, when in fact Fellini was condemning the very excess, narcissism, and debauchery of Rome’s bohemian scene.

Gossipy, colorful, and richly informed, Dolce Vita Confidential re-creates Rome’s stunning ascent with vivid and compelling tales of its glitterati and artists, down to every last outrageous detail of the city’s magnificent transformation.

Book Details

  • Hardcover
  • October 2016
  • ISBN 978-0-393-24758-9
  • 6.7 × 9.6 in / 480 pages
  • Sales Territory: Worldwide including Canada, Singapore and Malaysia, but excluding the British Commonwealth.

Other Formats

  1. Book CoverDolce Vita Confidential: Fellini, Loren, Pucci, Paparazzi, and the Swinging High Life of 1950s Rome

    Paperback

Endorsements & Reviews

“"In a brisk, frothy narrative....Levy has a passion for mid-century Italian cinema and is at his best when writing about its giants."” — The Wall Street Journal

Dolce Vita Confidential is so much fun that after a few pages you’ll want to set it aside, tie on a chic little scarf, jump on a Vespa, and cry 'ciao' as you buzz past corner cafes and flower stands.” — Portland Tribune

“"Over 400 spirited and frothy pages, [Levy] carries us on a speedy Vespa ride....the book delights."” — Portland Mercury

“Levy's spirited history is nothing less than a love letter to Rome's luxurious, sensational past.” — Kirkus Reviews

“"Levy’s research is deep and his details are revealing....[he] chronicles Fellini and Mastroianni’s collaboration with insight and affection."” — Newsday

“An enjoyable and informative read about an exciting and colorful period in Roman history and the history of popular culture.” — Library Journal

“Shawn Levy has composed an exuberant portrait of postwar Rome and the filmmakers, movie stars, fashion designers, journalists, and paparazzi whose supreme hunger, energy, and creativity transformed it into the most stylish city in the world. He brings an infectious and freewheeling enthusiasm to every page as he reintroduces us to the extravagant romanticism of fast cars, reckless hedonism, and beautiful people behind the resurrection of the Eternal City.” — Glenn Frankel, author of The Seachers: The Making of an American Legend

“An eclectic portrait of Rome’s rise out of the ashes of WWII into a metropolis….a fascinating look at decades of Italian cultural history.” — Publishers Weekly

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