How Hollywood Shaped the Mexican Revolution
With a Foreword by Kevin Brownlow, With a Preface by Friedrich Katz
A Verso book
An absorbing look at how early twentieth-century Hollywood shaped the US’s conception of Mexico.
On January 3, 1914 Pancho Villa became Hollywood’s first Mexican superstar. In signing an exclusive movie contract, Villa agreed to keep other film companies from his battlefield, to fight in daylight wherever possible, and to reconstruct battles if the footage needed reshooting.
Through memoir and newspaper reports, Margarita De Orellana looks at the documentary film-makers who went down to cover events in Mexico. Feature film-makers in Hollywood portrayed the border as the dividing line between order and chaos, in the process developing a series of lasting Mexican stereotypes—the greaser, the bandit, the beautiful señorita, the exotic Aztec. Filming Pancho reveals how Mexico was constructed in the American imagination and how movies reinforced and justified both American expansionism and racial and social prejudice.
- December 2009
- 7.7 × 7.7 in
/ 206 pages
- Territory Rights: USA and Dependencies and the Philippines.
Endorsements & Reviews
“Filming Pancho takes film seriously. It requires a knowledgeable historian like Margarita De Orellana to make sense of it all, to tell us who is who, and why what we are watching is significant.” — Kevin Brownlow
“A first-rate contribution to the history of cinema and cinematographic technique.” — Friedrich Katz
Also by Margarita de Orellana
Also by John King
Second / Paperback