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      Eleventh Edition
      Paperback
      Volume(s): 1
      ISBN 978-0-393-91211-1

Kristine Forney (Editor), Roger Hickman (Annotations or Notes by)

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The Norton Scores

A Study Anthology

Overview | Contents | Formats
 

    Preface

    How to Follow the Highlighted Scores

    A Note on the Recordings

    A Note on the Performance Practice of Early Music

    Medieval Music


    1. Gregorian Chant (10th century), Kyrie

    2. Hildegard von Bingen (1098-1179), Alleluia, O virga mediatrix (Alleluia, O mediating branch)

    3. Notre Dame School (early 13th century), Organum, Gaude Maria virgo (Rejoice Mary, virgin), excerpt

    4. Raimbaut de Vaquieras (c. 1155-1207), Troubador dance song (estampie), Kalenda maya (The First of May)

    5. Anonymous (c. 1250), Round, Sumer is icumen in (Summer is come in)

    6. Guillaume de Machaut (c. 1300-1377), Rondeau, Puis qu’en oubli (Since I am forgotten)

    Renaissance Sacred Music


    7. Guillaume Du Fay (c. 1397-1474), L’homme armé Mass (The Armed Man Mass), Kyrie

    8. Josquin des Prez (c. 1450-1521), Motet, Ave Maria . . . virgo serena (Hail Mary . . . gentle virgin)

    9. Giovanni Pierluigi da Palestrina (c. 1525-1594), Pope Marcellus Mass, Gloria

    Renaissance Secular Music


    10. Josquin des Prez, Chanson, Mille regretz (A thousand regrets)

    11. Jacques Arcadelt (c. 1507-1568), Madrigal, Il bianco e dolce cigno (The white and sweet swan)

    12. John Farmer (c. 1570-1603), Madrigal, Fair Phyllis

    13. Tielman Susato (c. 1515-c. 1571), Three Dances

    14. Giovanni Gabrieli (c. 1557-1612), Instrumental canzona, Canzona septimi toni (Canzona in the seventh tone)

    Baroque Opera and Aria


    15. Claudio Monteverdi (1567-1643), L’incoronazione di Poppea (The Coronation of Poppea), Act III, Scene 7

    16. Henry Purcell (1659-1695), Dido and Aeneas, Act III

    • Prelude, Verse, and Chorus: "Come away, fellow sailors"
    • Recitative and Aria: Dido’s Lament

    17. Barbara Strozzi (1619-c. 1677), Aria, Amordormiglione (Sleepyhead, Cupid!)

    Baroque Cantata and Oratorio


    18. Johann Sebastian Bach (1685-1750), Cantata No. 140, Wachet auf (Sleepers, Awake)

    • First movement: Chorale fantasia
    • Second movement: Recitative
    • Third movement: Aria/Duet
    • Fourth movement: Unison chorale
    • Seventh movement: Chorale

    19. George Frideric Handel (1685-1759), Oratorio, Messiah, excerpts

    • Nos. 1. Overture
    • Nos. 14-16. Recitative, "There were shepherds abiding in the field"
    • No. 17. Chorus, "Glory to God"
    • No. 18. Aria, "Rejoice greatly"
    • No. 44. Chorus, "Hallelujah"

    Baroque Suite


    20. Handel, Water Music, Suite in D major

    • Allegro
    • Alla hornpipe

    21. Jean-Joseph Mouret (1682-1738), Rondeau, from Suite de symphonies

    Baroque Concerto


    22. Antonio Vivaldi (1678-1741), La primavera, from Le quattro stagioni (Spring, from The Four Seasons)

    • First movement
    • Second movement
    • Third movement

    23. Bach, Brandenburg Concerto No. 2 in F major, First movement

    Baroque Sonata and Fugue


    24. Arcangelo Corelli (1653-1713), Trio Sonata, Op. 3, No. 2

    • Third movement
    • Fourth movement

    25. Domenico Scarlatti (1685-1757), Sonata in C major, K. 159 (La Caccia) (The Hunt)

    26. Bach, Contrapunctus 1, from Die Kunst der Fuge (The Art of Fugue)

    Classical Chamber Music


    27. Franz Joseph Haydn (1732-1809), String Quartet in C major, Op. 76, No. 3 (Emperor), Second movement

    28. Wolfgang Amadeus Mozart (1756-1791), Eine kleine Nachtmusik (A Little Night Music), K. 525

    • First movement
    • Second movement
    • Third movement
    • Fourth movement

    Classical Symphony


    29. Mozart, Symphony No. 40 in G minor, K. 550, First movement

    30. Haydn, Symphony No. 100 in G major (Military), Second movement

    31. Ludwig van Beethoven (1770-1827), Symphony No. 5 in C minor, Op. 67

    • First movement
    • Second movement
    • Third movement
    • Fourth movement

    Classical Concerto


    32. Mozart, Piano Concerto in G major, K. 453

    • First movement
    • Second movement
    • Third movement

    33. Haydn, Trumpet Concerto in E-flat major, Third movement

    Classical Sonata


    34. Mozart, Piano Sonata in A major, K. 331, Third movement

    35. Beethoven, Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2 (Moonlight)

    • First movement
    • Second movement
    • Third movement

    Classical Choral Music and Opera


    36. Mozart, Requiem

    • 3. Dies irae
    • 4. Tuba mirum
    • 5. Rex tremendae

    37. Haydn, Die Schöpfung (The Creation), Part I

    • No. 12. Recitative, "Und Gott sprach: Es sei’n Lichter"
    • No. 13. Recitative, "In vollem Glanze"
    • No. 14. Chorus and Trio, "Die Himmel erzählen"

    38. Mozart, Don Giovanni, Act I, Scene 2

    • No. 3. Trio, "Ah! chi mi dice mai"
    • No. 4. Aria, "Madamina!"

    Appendix A: Reading a Musical Score

    Appendix B: Instrument Names and Abbreviations

    Appendix C: Glossary of Musical Terms Used in the Scores

    Appendix D: Concordance Table for Recordings and Listening Guides

    Index of Forms and Genres