Shelley's Poetry and Prose
Preface to the Second Edition
Preface to the First Edition
Acknowledgments
Textual Introduction
List of Abbreviations
The Text of Shelley’s Poetry and ProseThe Poems
- From The Esdaile Notebook
- To the Emperors of Russia and Austria . . .
- Sonnet: To a balloon, laden with Knowledge
- Zeinab and Kathema
- The Retrospect
- Queen Mab Alastor
- Stanzas—April, 1814
- Mutability (“We are as clouds”)
- To Wordsworth
- Hymn to Intellectual Beauty
- Mont Blac
- From Laon and Cythna (later The Revolt of Islam)
- Dedication
- Canto IX, stanzas 20-28
- To Constantia
- Ozymandias
- Lines written among the Eugenean Hills
- Julian and Maddalo
- Stanzas written in Dejection—December 1818, Near Naples
- The Two Spirts—An Allegory
- The Cenci
- Prometheus Unbound
- The Sensitive-Plant
- Ode to Heaven
- Ode to the West Wind
- The Cloud
- To a Sky-Lark
- Ode to Liberty
- The Mask of Anarchy
- [Sonnet:] England in 1819
- Sonnet: To the Republic of Benevento
- Sonnet (“Lift not the painted veil”)
- Sonnet (“Ye hasten to the grave”)
- Letter to Maria Gisborne
- Peter Bell the Third
- The Witch of Atlas
- Song of Apollo
- Song of Pan
- Epipsychidion
- Adonais
- Hellas
- Written on Hearing the News of the Death of Napoleon
- The Indian Girl’s Song
- Song (“Rarely, rarely comest thou”)
- The Flower That Smiles Today
- When Passion’s Trace is Overpast
- To---------(“Music, when soft voices die”)
- Memory To Jane. The Invitation
- To Jane. The Recollection
- One Word Is Too Often Profaned
- The Serpent Is Shut Out from Paradise
- With a Guitar. To Jane
- To Jane (“The keen stars were twinkling”)
- Lines written in the Bay of Lerici
- The Triumph of Life
The Prose
- On Love
- On Life
- A Defence of Poetry
Criticism
- Shelley’s Reputation Before 1960: A Sketch
Foundations
- G. M. Matthews - A Volanco’s Voice in Shelley
- Harold Bloom - Urbanity and Apocalypse
- Earl R. Wasserman - The Poetry of Skepticism
- Kenneth Neill Cameron - Philosophy, Religion, and Ethics
- Donald H. Reiman - Shelley as Agrarian Reactionary
General Studies
- Stuart Curran - Shelley and the End(s) of Ideology
- Annette Wheeler Cafarelli - The Transgressive Double Standard: Shelleyan Utopianism and Feminist Social History
- Michael O’Neill - Shelley’s Lyric Art
- Alan Bewell - Percy Bysshe Shelley and Revolutionary Climatology
- Stephen C. Behrendt - Audiences and the Later Works
- Neil Fraistat - Shelley Left and Right: The Rhetorics of the Early Textual Editions
Studies of Individual Works
- Michael Ferber - Alastor
- Forest Pyle - “Frail Spells: Shelley and the Ironies of Exile
- William Keach - [“Mont Blanc”]
- Kelvin Everest - Shelley’s Doubles: An Approach to “Julian and Maddalo”
- Jerrold E. Hogle - Transference Perverted: The Cenci as Shelley’s Great Exposé
- Timothy Webb - The Unascended Heaven: Negatives in Prometheus Unbound
- James Chandler - History’s Lyre: The “West Wind” and the Poet’s Work
- Susan J. Wolfson - Poetic Form and Political Reform: The Mask of Anarchy and “England in 1819”
- Nancy Moore Goslee - Dispersoning Emily: Drafting as Plot in Epipsychidion
- Michael Scrivener - [Adonais: Defending the Imagination]
- Hugh Roberts - [Spectators Turned Actors: “The Triumph of Life”]
Percy Bysshe Shelley: A Chronology
Selected Bibliography
Index of Titles and First Lines