Jane Piper Clendinning is professor of music theory at the Florida State University College of Music. Professor Clendinning has published articles reflecting her interests in the history of theory, theory and analysis of twentieth-century music, computer pitch recognition, and computer applications in music theory. She teaches courses in eighteenth-century counterpoint, music since World War II, popular and world music analysis, music theory pedagogy, and accelerated undergraduate music theory. She has served as chair of the Advanced Placement Music Theory Test Development Committee, and as an AP reader, and is a regular consultant at AP Summer Workshops and Institutes.
The Answer Key includes answers to all the written and aural skills worksheet assignments included in the text—in the same format and pagination—plus point-and-sing and call-and-response exercises, and slides for aural skills activities. Sent to instructors with each exam copy of the text, the Answer Key includes answers to all written and aural skills assignments, point-and-sing and call-and-response exercises, and slides for aural skills activities.
The Dictation Manual includes all of the inductive listening exercises from Volume 2 of The Musician's Guide to Aural Skills in a convenient resource for in-class practice.More
The Instructor’s Edition of Volume 2, Ear-Training and Composition, contains all dictation answers—both “Inductive Listening” and “Contextual Listening”—offering a rich volume of material for class, quizzes, and exams. In addition to scores for all the inductive and contextual listening exercises, the Instructor’s Edition contains teaching strategies throughout.More
The Anthology includes over 100 pieces featured in the text, now expanded with more counterpoint, nineteenth-century chromatic music, and twentieth-century impressionist and modernist works.More
The Recordings include every piece in the Anthology, from popular songs to German Lieder, from piano rags to minimalism, and from marches for band to anthems for choirs.More
This two-volume text covers diatonic, chromatic, and contemporary harmony, as well as voice leading, emphasizing practical performance skills by integrating theoretical principles with aural and keyboard skills through coordinated keyboard, sight-singing, dictation, improvisation, and composition exercises.More
Second Edition / Volume(s): 1
All the practical skills students need to succeed as professional musicians—in a single pedagogical program.More
An active, hands-on approach to fundamentals grounded in real music and music-making.More
Emphasizing real music and music-making, The Musician’s Guide to Theory and Analysis gives students the hands-on tools they need to learn how music works.More
The Musician’s Guide to Theory and Analysis covers the essential principles of diatonic and chromatic tonal harmony, systematically developing skills in part-writing, figured-bass realization, melody harmonization, counterpoint, stylistic composition and arranging, and music analysis, including contemporary music.More
The Workbook is newly formatted as double sided, self-contained worksheets. It provides an abundance of drill-and-practice, part-writing, and analysis exercises to reinforce important skills.More
A Teacher’s Edition of the workbook supplies all the answers—with the same layout and pagination—for easy grading.More